Resolve works with lots of formats, get to know the pros and cons of each format Including Film, Red, Canon, Arri Alexa, Sony F3 and other digital files Using the pan, tilt, zoom and rotate controls, just how far can we zoom in on a film or digital image? Keyframing in the timeline and auto tracking explained. Repositioning, Key-Framing and Auto Tracking.
How to use each one, and why do we decide to use one over the other? Is it best to key a color or adjust its Secondary curve?Įach node has 4 Power Windows, the classic DaVinci Circle, Linear square, Polygon and a Bezier Power Curve. Learn how to key in Resolve using either HSL RGB or LUM. Keying is a very important part of what we do as colorists. You’ll use them all the time, how do they work and when do you use each one. Get it right and it will simplify your whole color correction process. How different Colors interact with increased saturation/contrast and why some colors complement each other more than others. Looking at the waveform, vectorscope, and histogram. Scene cut detector and manually creating a timeline. Importing and conforming both film and digital material using an EDL/XML/AAF How to create a new customized user, and get all the config settings correct before you kick off. Loading the software and getting started.
The class mixes the operational side of Resolve with some practical real world training on workflows, basic color theory, grading approaches and techniques.Ī complete demo of the system, looking at every area of the new software and how it works with the control surface. This class is ideal for first time users, you do not need to be a Colorist or have had previous grading or Resolve experience. Our three-day intensive workshop is a great introduction to Resolve software. COL 101 | 3 Day AN INTRODUCTION TO COLOR GRADING with Resolve - $1,495
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